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Sunderwala Burj
 
The Conservation of Sunderwala Burj is part of the larger Humayun’s Tomb – Sunder Nursery – Nizamuddin Basti Urban Renewal project, a not-for – profit Public Private Partnership between the Archaeological Survey of India, Central Public Works Department, Municipal Corporation of Delhi and the Aga Khan Development Network.
HISTORY With exquisitely ornamented plasterwork on the ceilings, unique in Delhi, this early 16th century building is amongst the earliest building built during the Mughal reign and stands within the World Heritage Site Buffer Zone.
CONDITION
The Sunderwala Burj suffered severe decay to the decorative plasterwork due to water seepage from the terrace. 20th century and later repair works using modern materials such as cement had adversely affected the original architectural integrity and caused further deterioration.
STUDIES Conservation works undertaken with AFCP grant, were preceded with a year long programme of scientific investigation, material and architectural documentation by the ASI- AKTC team. The architectural study was coupled with a focused archival research programme, Structural analysis by a UK based consultant, High definition survey using 3D laser scanning equipment, detailed condition mapping and GPRS (Ground Penetrating Radar Survey) of the site– all aimed at making this a model conservation project in the Indian context.
 
 
Conservation Works

As part of the ongoing project the U.S. Ambassador's Fund for Cultural Preservation is funding the conservation of Sunderwala Burj. On 4-May 2011, the U.S. Ambassador Timothy J. Roemer laid the first sandstone slab on the floor that will mark the beginning of the final phase of works.
The conservation works followed a systematic and scientific approach. All works carried out using traditional materials, craft techniques and tools my master craftsmen who have inherited craft skills. Works have been supervised by a multi-disciplinary team comprising Conservation architects, engineers, material scientists and archaeologists.
CEILING
The most significant of the building element, approximately 15% of the ceiling that was lost has been carefully restored. The remaining portion was carefully stabilised and cleaned to reveal its original glory.
WALLS
Large portion of cement plaster t the internal and external walls and even the dome surface was carefully removed to retard further deterioration. This was replaced with lime plaster prepared with traditional additives such as gur, belgriri, sand and brick dust. Red polychromy was visible even prior to conservation works but greater portionhs were revealed during the cleaning process. Matching the interior surfaces and the external contrast of the Humayun’s Tomb, the final white and red surfaces have been restored with several ‘protective coats’ of lime plaster with the natural geru added for the red polychromy. No paint has been used – significant since with the use of traditional materials the patina will return within a few monsoons.
STONE LATTICE SCREEN
The four arched openings over the doorways originally had sandstone lattice screens which seem to have been removed in the 20th century for the antique market. To respect the original design intention and secure the interiors from birds, sandstone screens carved with traditional tools and master craftsmen have been restored to the arched openings.
PLINTH
Archival photographs, Ground Penetrating Radar survey revealed the extent of the plinth which will be clad with sandstone and afford great views to the surrounding areas and even to Humayun’s Tomb.
LANDSCAPE WORKS
Together with the conservation works, in order to enhance the historical character AKTC is undertaking landscaping in partnership with the CPWD. The plinth is surrounded by an almost equally deep enclosed garden.

READ MORE : PERSIAN PATTERNS emerge in Burj revival
READ MORE : Aga Khan Trust helps restore the Sunderwala Burj, a 16th century tomb
 
 
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